Archive for the ‘Poetry’ Category

The Work (and Poetry) of an Assisted Living Facility

In Cute Dachshunds, Cute Dogs, Poetry, Poetry Readings on October 14, 2018 at 5:30 pm


Zoey the Cute Dachshund is her BFF Shelley Widhalm’s co-pilot when she does her writing.

My BFF Shelley Widhalm wrote about me in her blog about poetry, assisted living facilities and how everyone thinks I’m adorable. Here is her blog:

Every time I visit my mother at her assisted living facility, I walk down the halls, feeling wonder at the corkboards filled with cutout magazine pages.

One of the residents, Deloros, considers it her job to fill the white walls with images of wildlife, birds, historic ruins and travel—and sometimes people at work. She cuts out the images, tapes them to construction paper and highlights the text, turning routine magazine articles into art, education and entertainment.

Deloros says she needs to finish her work before lunch as I stop to talk and let her pet my dog, Zoey, a long-haired miniature dachshund. I commiserate, because I know I would want the same thing in my retirement years—some sense of work and purpose. She tells me it helps her get up and going with her day.

“Some feel lost until they have work,” is a line from a poem that perfectly fits our weekly encounters.

Good Work! Poetry Reading

The poem is about life at an assisted living facility and one of 15 that poets read Sept. 23 at the seasonal poetry reading hosted by the Community Poets in Loveland, Colo.

The poetry reading, “Good Work!—A Post-Labor Day Celebration,” featured an open mike and the reading of poems focused on the autumnal equinox, work and going back to school. The poems were on subjects as varied as working in a mailroom, doing a long list of random jobs, going to a job interview, questioning choosing college over steady work, disliking repetitive factory tasks and seeing the act of pushing a pencil across the page as heavy work. My poems were about doing dishes and taking the trash to the trash room.

“It’s easy to get lost in your career,” was a line from one of the poems, and I related.

I find that working too much pushes out real life and fun if the hours become too many—and then I realize I need to work less to be a little more balanced. I wonder what I will do when I retire and how I’ll fill my days. Will I think I have to work, just like Deloros does? Will I be writing my novels and journaling because I believe it’s incredibly important? Will I be published and have “my work” continue bringing in money? Or will the work be something that gets me up to be doing something, anything, just as long as I keep busy?

One of the poems was about Bud, whose job is listening to stories—and it turns out Bud is a dog. Zoey’s jobs involve going on walks, doing tricks and offering comfort to her human companions and those she passes by, like Deloros. She stops to visit Deloros and listens to her stories about her work, wiggling her body at the excitement of being included. I always smile, fascinated by the Deloros’s artwork and the love she gives Zoey.

Taking Poetry Notes

During the poetry reading, I didn’t take very careful notes. I scribbled on tiny yellow and orange piece of papers with poems on them, writing on the back sides of “The Real Work,” by Wendell Berry and two copies of a poem by Gary Snyder, “Hay for Horses.” I forgot my work of being a journalist, absorbed in being a poet and a listener of poetry, marveling at the beauty of the lines and images the poets presented. In other words, I forgot to work.

“It was so much creativity and beauty and heart and soul put into versions of work,” said Lynn Kincanon, a member of the Community Poets, adding that the poets sharing their work was “a community gift.”

The Community Poets, a group of local poets and organizations that organizes poetry readings and workshops in Loveland, will hold the next seasonal reading Dec. 16 on Frosty Nights and the Pleasures of Winter, inspired by the poetry of Robert Frost, at the Loveland Museum. The poetry readings are held every season, and the workshops are held twice a year in April and August.

Canine Poet Speaks Up About Other Poets

In Canine Poet, Canine Poetry, Poetry on April 3, 2016 at 11:30 am

ZoeyBed1This week I’m going to defer to my BFF Shelley, because she blogged about poetry.

I’ve written a couple of poems as a canine poet, but I don’t really know what to say about poetry. I do know that poetry, like green lawns, can be a thing of beauty for running and playing with words, smells and sounds.

Poetry has rhythm and meter, just like I do when I get going around the yard, chasing circles as I try to capture the sounds of birds and wildlife into the sight of friendship, but the animals usually don’t want to play with me.

From my backyard, going-on-walks and being-around-town experience, I’ve learned cats generally don’t like dogs, and dogs, which, if they’re bigger than me, don’t like me (or is it the other way around?). I bark at them to let them know I am the bigger dog, except they look at me like, Are you kidding?

As I bark, I wag my tail as Shelley says, “Zoey, that’s not how you make friends.”

So how do you make friends? I hope I can find them in poetry, or in life as I try out the sounds and beauty of language.

See Shelley’s blog at shelleywidhalm.wordpress.com at https://wordpress.com/post/shelleywidhalm.wordpress.com/1175.

Canine Poet on Poetry

In Being Cute, Canine Poetry, Poetry on May 10, 2015 at 11:30 am

I really like what my BFF Shelley wrote this week about writing poems. Here is her blog:


Typically, I write poems on scraps of paper or on my laptop—but when I tried typing a poem on a typewriter, I felt halted and also inspired by the process.

I attended a People’s Market last month in downtown Loveland, an artisan fair of white tents and booths around the Foote Lagoon, a geese-filled pond with the city’s civic center as the backdrop.

One of the booths featured the Poets’ Stop with an open mic and games to spark poem creation. The games included a set of word tiles that can be arranged into a few words or one word to give a starting place to write, blank paper to leave or take a poem, and paper in the typewriter to manually type up the verses.

“You should write a poem,” one of the poets, who I know from poetry open mics, said to me as I was gathering material for a news photograph (i.e. for my day job). I figured I could sneak in a poem while on the clock, so I sat down at a foldout table in front of one of the two typewriters there.

My fingers felt stiff and awkward on the keys, unable to glide from letter to letter, because I had to press down each one. I had to think about the letters of the words I wrote, when normally there is little connection. I’m not conscious of the keyboard or placement of the letters, something that’s become automatic from practice.

This disconnection slowed my thinking and creation process as I thought about each line and each letter in the lines and what I wanted to type next.

As I typed, I had to move the bar to move the type to the next line, pulling me, for a few seconds, out of the poem and into the sounds of the geese and rumble of conversation. I entered and re-entered the poem, as if I was going over multiple speed bumps, chopping up the flow.

After I wrote the poem, the poet asked me if I would read it, and I did, finding it difficult to see the faded letters from not pressing hard enough on the keys. She said she liked it for showing how typing it made me reflective on the process of writing a poem.

Here is what I wrote:

I am unmoored by the

s tiff fore ign type writer

my thought s slowed by the mistakes of ke ys

that require pushing

hard like the book bind perfection in

grammar my fingers become insecure in the one hand

movement of this falling apart peom

the tool new but old in story

as I miss letters, slow paces,

no poem here. no. stop.

back to my comfort I returnn.